Typefaces made to be read

Saguna Mono is a rounded monospace for code: a light, open rhythm with soft round stroke ends and squarish rounds, and a true cursive italic with looped, handwritten forms. See Saguna Mono →

Anika Serif: a contrasty, bracketed slab serif with crisp, flared terminals, gentle enough for long-form reading at Light and Regular and Clarendon-strong in the heavy weights for headlines. See Anika Serif →

Bhaskar Mono is a tall, light, narrow monospace for terminals: a 480-unit cell, a high x-height, slab-footed narrow letters that close the gaps, cursive italics, seamless box drawing and Powerline symbols. See Bhaskar Mono →

Dimple Sans: a friendly, compact geometric sans with a playful streak: squarish-round bowls, rounded corners, a slight hand-set wobble, curly tails and diamond dots. Weight and optical-size axes, true italics, small caps, old-style and fraction figures; Latin, including Vietnamese. See Dimple Sans →

Gudia Sans: a cheerful geometric sans for brands and headlines that also works in UI, with pointed apexes, circular bowls, a single-storey a, a spurless G, stacked-circle ampersand and ink traps at heavy weights. See Gudia Sans →

Kamal Mono is a tall, open monospace for code and terminals, with clean geometric strokes, seamless box drawing and a Nerd variant with Powerline symbols. See Kamal Mono →

Rian Mono: a monospace for reading code, where every confusable pair (0 O o, 1 l I i, 5 S, rn m) differs by silhouette, not just by detail, with a cursive italic and optional code ligatures. See Rian Mono →

A contemporary book serif with flair: knife-cut wedge serifs with cupped feet, teardrop terminals, contrast that rises with weight, a calligraphic italic and an Et ampersand. See Ritesh Serif →

A precise, intelligent grotesk for reading and interfaces: a large x-height, square-cut terminals, crisp square dots, an open single-storey g and a true italic. See Vedu Sans →